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Roger
Waters at Wembley Arena
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Roger Waters - Wembley Arena
Roger
Waters' return to the live stage was always going to be an event. And
almost twenty years after leaving Pink Floyd, only to watch them go on
to enjoy immense worldwide success whilst playing his songs, he appears
to have mellowed in his approach to his former band.
Starting with an impressive 'In The Flesh', the show kicked off with a
run through some of the classic moments from 'The Wall', which many
consider to beginning of the end of the classic Floyd line-up in the
late 1970's, as Waters took more and more of an artistic stranglehold
over their material. Spotlights scan the crowd as the sound of a
helicopter rolls around Wembley arena, heralding the start to 'The
Happiest Days Of Our Lives' which segues into 'Another
Brick In The Wall'. Snowy White makes a complete mess of David
Gilmour's classic solo and it's at this point that you realise that
you're not watching Pink Floyd after all, merely a member of Pink Floyd
with some of his mates running through his old songs. Things start to
get worse with a perfunctory run through of 'Mother' and then we get
into a selection of tracks from 'The Final Cut', by far the weakest
album in the Floyd canon.
However, Waters is nothing if not a seasoned professional and while his
ego may tempt him to play the Floyd songs that mean the most to him, he
knows what the crowd really want. So we get 'Dogs', in it's entirety.
All fifteen plus minutes of it - complete with the synth-driven
mid-section, during which Roger and the other guitarists sit down at a
table on stage and play cards until it's time for them to pick up their
instruments to finish the song. Guitarist Chester Kamen fills in
admirably for David Gilmour both vocally and with some truly awesome
guitar work at the song's climax. With the crowd nicely at boiling
point, Waters plays his ace in the hole and introduces his old
band-mate, Nick Mason, to play drums on 'Set The Controls For The Heart
Of The Sun'. Wembley, predictably, goes absolutely bonkers - after all
the bad blood that has passed between Waters and Pink Floyd, since his
departure in the 1980's, the likelihood of ever seeing them on stage
together again seemed very remote. However, after the initial fan
frenzy, the 'reunion' passes of in a rather low-key fashion, although
the rear projection pictures of the early Floyd lineup lead the show
nicely into 'Shine On You Crazy Diamond', with a huge image of founder
member, Syd Barret staring out across the arena. We get pretty much all
of the 'Wish You Were Here' album (with the exception of 'Have A
Cigar') before the end of the first half of the show.
I should take the opportunity here, at the risk of upsetting any
hardcore Roger Waters fans, to point out that, to me, Pink Floyd was
always more about David Gilmour's guitar work than Roger Waters
song-smithery. Maybe it was my age that counted against me, because I
never really got into Floyd until well after Waters had left, have
never seen Pink Floyd with Roger Waters and always considered him to be
something of a pretentious old sod, always whining about how he never
gets the respect he deserves.
The reason I mention this here is that the second half of the show,
although starting with three tracks from 'Dark Side Of The Moon', did
lean more towards Waters' solo career. Although beginning brightly
enough with 'Every Stranger's Eyes' and 'Perfect Sense', the set soon
slides into a mind-numbing thirty minutes of self-indulgence as we are
'treated' to a number of selections from Waters' last solo album,
'Amused To Death'. Try as I might, I just couldn't find a tune to go
with his (admittedly wonderful) lyrics on the title track and 'It's a
Miracle' but it seems that I was very much in the minority. Almost
every fan in Wembley sang every word with Waters and even gave some of
these tracks a better reception than some of the Floyd songs earlier in
the evening.
The second half ended back where it began, with 'Brain Damage' and
'Eclipse' from 'Dark Side..' before the opening salvoes of 'Comfortably
Numb' began the encore. More than ever Glimour's liquid guitar solos
were sorely missed and even though Chester Kamen tried his absolute
best to live up to Big Dave, Snowy White again appeared to be trying
his best to drench the song in mediocrity. I know many people are fan's
of White's guitar playing and he has been a Floyd/Waters staple for
many a year now, but his playing tonight was dreadfully sloppy and
amateurish.
And then we get the finest example of Roger Waters' ego to date. Ending
a three hour 'Greatest Hits' show with a brand new composition, which
nobody in the arena had ever heard before. 'Flickering Flame' sounded
clunky and awkward and, unsurprisingly, the majority of the crowd had
filtered out long before the house lights came up.
As I mentioned before, tunes have seemed to elude Waters over the last
fifteen years and, for all his griping that Pink Floyd aren't Pink
Floyd without him, maybe there's an argument that says Roger Waters
isn't himself without Pink Floyd.
Sean G
7/10
In The Flesh
The Happiest Days Of Our Lives
Another Brick In The Wall, Part 2
Mother
Get Your Filthy Hands Off My Desert
Southampton Dock
Pigs On The Wing, Part 1
Dogs
Set The Controls For The Heart Of The Sun
Shine On You Crazy Diamond, Parts 1-5
Welcome To The Machine
Wish You Were Here
Shine On You Crazy Diamond, Parts 6-9
Breathe (In The Air)
Time
Money
The Pros And Cons Of Hitch Hiking, Part 11
(5:06 AM - Every Stranger's Eyes)
Perfect Sense (Parts I and II)
The Bravery Of Being Out Of Range
It's A Miracle
Amused To Death
Brain Damage
Eclipse
Comfortably Numb
Flickering Flame
Picture
from
http://www.neptunepinkfloyd.co.uk/
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